Download PDF by Edward Arian: Bach, Beethoven and Bureaucracy

By Edward Arian

ISBN-10: 0817348158

ISBN-13: 9780817348151

The altering position of a good orchestra within the overall musical lifetime of the neighborhood is the subject of Dr. Arian's striking and, certainly, certain learn of the executive difficulties of the Philadelphia Orchestra. As either musician and professional in organizational habit, Dr. Arian describes the advance of the orchestra via Leopold Stokowski into an incomparable musical tool, the monetary difficulties it confronted, the transitority solution of those difficulties through a strategy of bureaucratic compromise, and the disappointment of some of the orchestra's greater musical percentages by way of the very compromises designed initially to make sure its sability.

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Extra resources for Bach, Beethoven and Bureaucracy

Example text

Children's Concerts, for example, are an inescapable public obligation, and yet they are even more unprofitable than regular concerts because they require lower admission prices. Until 1967 the Association circumvented this problem by having these concerts performed under auspices of the Philadelphia Orchestra Pension Foundation, wherein the Orchestra members played without compensation and the proceeds went into their pension fund. The Association thus fulfilled a public obligation at no cost to itself.

Regardless of its proclaimed goals of artistic and social service, the alternatives of the Philadelphia Orchestra Association have been restricted by the economic realities of a system which leaves such organizations to fend for themselves. The long-held belief that cultural organizations in the United States are able to pursue their artistic and social goals free of interference or dictation is false. The truth is that the restrictions which our market economy places upon such organizations as the price of their survival are as real as the decrees promulgated by any authoritarian government.

3 Among the cultural institutions of Philadelphia, the Philadelphia Orchestra has been from its inception a leading index of upper class membership, social recognition, and exclusivity. 4 Leadership in this institution has represented a sought after social commodity. It has even greater value in the particular case of Philadelphia because, as Baltzell has pointed out, social connections are more important in this city than elsewhere in America. 5 The Philadelphia upper class has been characterized as a white, Anglo-Saxon, Protestant (WASP) group of old hereditary wealth and power.

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Bach, Beethoven and Bureaucracy by Edward Arian


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