By Lillian Ross
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Years later, after Irving passed away, they still listened. " He turned his powerful shoulders toward me. "Andy's mother is dying, and they make the picture showing Andy standing outside the door. Standing. ' They listened. " Mayer leaped from his chair and crouched on the peach-colored carpet and showed how Andy Hardy had prayed. " He got up and returned to his chair. "Not good enough," he said, whining coyly again. "Don't show the good, wholesome, American mother in the home. Kind. Sweet. Sacrifices.
He spoke earnestly, as though trying to convey a tremendous seriousness of purpose about his work in motion pictures. "A motion picture is a success or a failure at its very inception," he told me. ' In terms of cost and in other terms. This picture has no women. This picture has no love story. This picture has no single incident. This is a period picture. The story—well, there's no story in this picture. It's just the story of a boy. It's the story of a coward. " Schary apparently enjoyed hearing himself talk.
Ribbons! We had two pictures here. An Andy Hardy picture, with little Mickey Rooney, and 'Ninotchka,' with Greta Garbo. 'Ninotchka' got the prizes. Blue ribbons! Purple ribbons! Nine bells and seven stars! Which picture made the money? 'Andy Hardy' made the money. Why? Because it won praise from the heart. " Mr. Freed said. " Mayer went on. "They used to listen to me. Never would Irving Thalberg make a picture I was opposed to. I had a worship for that boy. He worked. Now they want cocktail parties and their names in the papers.
Picture by Lillian Ross